(Download) "Why Clough? Why Now?(Arthur Hugh Clough)" by Victorian Poetry # eBook PDF Kindle ePub Free
eBook details
- Title: Why Clough? Why Now?(Arthur Hugh Clough)
- Author : Victorian Poetry
- Release Date : January 22, 2003
- Genre: Language Arts & Disciplines,Books,Professional & Technical,Education,
- Pages : * pages
- Size : 180 KB
Description
If you have been attending recent Victorianist conferences, you may be asking, "Why so much interest in Clough?" Almost every conference seems to have at least one paper on Arthur Hugh Clough. This is all the more striking since conference presentations on poetry are few and far between. Yet at one recent meeting, for example, the Victorian Interdisciplinary Studies Association of the Western United States conference on "The Victorian World" at UCLA (2001), there were a surprising four papers on Clough, enough to create an entire Clough panel. This was one of the younger panels at the conference: a number of the presenters were graduate students or recent Ph.Ds. On the face of it, this sudden interest in Clough is not easy to explain. Recent published work shows no sign of a larger Clough revival already underway: in the last few years it has been rare to find more than one or two articles published on Clough a year. In fact, the last full-length studies of Clough were in the 1960s and 1970s. This leaves me wondering, in what context are young scholars discovering Clough? And what are the scholarly interests that have been guiding their decision to work on his poetry? One can imagine at least three different explanations for reexamining Clough: first, a revivalist impulse to restore to the canon a poet who has fallen out of interest; second, an interest in the formal aspects of Clough's poetry that may reflect renewed attention to literary form; and third, the prevalence of themes in Clough's poetry that are of central interest to cultural and new historicist criticism. These differing reasons are not necessarily easily reconciled. Part of what intrigues me about the recent work on Clough, however, is that it suggests that a reconciliation between cultural criticism and a renewed formalist approach is possible and is already taking place in Victorian poetry studies.
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